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Windsong Articles


We invite you to contribute articles regarding our products.  Just send us an e-mail at web.enterprises@comcast.net or send us your comments at this web site.  We reserve the right to refuse or modify all articles presented for publication.

Native American Kachina Dolls 

Kachina Dolls are Native American Indian art, as they are hand made and painted by Native American artisans. Kachina Dolls, like the human Kachina dancers, are visual representations of the invisible spirits that assist in the rigors of life.  Each Kachina doll represents a spirit in life.  Some typical spirits represented by the Hopi in Kachina dolls include: the chief, the corn maiden, the ceremonial dancer, the singer, the ogre, the buffalo, the badger, the crow, the hawk, clouds, the sun, and the rainbow.  The dolls are spiritual messengers that bring special blessings.  Dolls are gifts given in hope of future abundance and health, as well as tools for education. Kachina dolls, also known as katsinas, started in what is now the southwestern United States. The real History Kachina Dolls are made only from the cottonwood root and are hand-carved representations of spirits in customary Native American cultures. The History Kachina Doll spirits walked with their people long ago. When the natives ignored them, the spirits were insulted, and so became invisible to the people. Customs holds that the Kachina spirits trained their people the delight of dance, and then they left the natural world. The Hopi tribe say theirs were the only true work, claiming the History Kachina Doll to be the first native culture to employ them. Although, the Navajo, Zuni, Pueblo and Apache tribes made Kachina dolls, also carved only from the cottonwood root to envoy the spirit entities, likewise used in rituals, and as symbolic icons. The artists carve these dolls are devoted to their craft, spending many years, indeed a lifetime, to their art. (from History Kachina Doll)
         
There are some amazing pieces of Native American Ceramic pottery for your enjoyment, which can be found at Windsong4you.com. They have been purchased for you at incredibly affordable prices. These are wonderful vases depicting the Native American motif and come in many colors, sizes and shapes. The Pueblo, Hopi, Navajo and other tribes are all represented here with their very inspiring vases. You will be amazed at the very fine detail in their work. There is one which will definitely enhance to the beauty of your home. These are truly one-of-a-kind heirlooms to be treasured for a lifetime and should be passed down for generations. Also, they make wonderful gifts for that special someone in your life. Visit http://www.windsong4you.com for fantastic deals and a large variety of pottery.
    
Pottery Techniques

The procedure for creating coil pottery favored in the Eastern United States was more focused on preparing clay than in the West. The women would spend hours on end mixing the clay they had gathered with crushed seashells, sand, plant materials and other temper until they had precisely the right consistency; then wedging it to remove the air pockets and humidity that could easily make it blow up during firing. They would then pound out a flat circle of clay to serve as a base. While the potter was building the coils up, she was also deliberate to take the time to blend them together. Once they were blended nicely, there was no trace of the ropes of clay so carefully entwined to form the pot, no deviation in the thickness of the walls, and therefore no weaknesses. As a finishing touch, the pot was struck with a cord-wrapped stick to compact it and give it its final shape. American Indians have never used enclosed kilns, so the pot was put in a shallow pit dug into the earth along with other unfired pottery, covered with wood and brush, and lit on fire where it would harden and heat to temperatures of 1400 degrees or more. For a finishing touch, the surface of the pot would be rubbed vigorously with special stones, leaving the surface smooth and polished.

Pottery Traditions

Many Pre-Columbian pottery traditions are well known to the general public and significant pieces are found in collections in most major museums. Among the best-known are pots found in the Anasazi ruins of the Southwest United States, pottery produced by a number of Pueblo peoples, also in the Southwest United States, and Maya ceramics found in southern Mexico, Guatemala and Belize. Less well known pottery traditions include the Casa Grandes region of Northern Mexico and the prehistoric potters of the Gran Cocle' Culture Area, Coclé Province, Panama.

Pre-Columbian pottery artifacts are often found in tombs and ruins during modern archaeological excavations. However, during the early years of exploration on both continents, pots were removed without any records on origin and associated artifacts. This has resulted in many striking pottery items, some in prestigious museums, being held without documentation. The practice of "pot hunting" continues to be a problem for governments and academic researchers, as a black market for prehistoric pottery and artifacts flourishes in many areas of the world.

 

The Wedding Vase

The wedding vase is a treasured and sacred element of many Native Southwest American Indian tribes particularly the Navajo and Pueblo peoples These vases are not only symbolic in the ceremony performed just prior to the wedding itself, but also in the shape and construction of the vessel itself. About a week or two before the couple is officially married, the groom’s parents build the wedding vase out of clay found and ceremoniously cleaned and filtered from a local river bed. Once the vessel has been properly fired, both families assemble. The parents give the young couple advice, and the wedding vase is filled with some kind of special liquid. Traditionally it would be filled with a nectar made by the medicine man, though many modern couples may choose to drink water or an herbal infused tea from the vase. First the groom offers his bride the vessel and she drinks from one side only. She then turns the wedding vase clockwise, and the groom then drinks from this same side. Each will then drink from the opposite side of the wedding vase, and then finally in the culmination of the ceremony, they will both drink from the wedding vase together. It is said that if they manage this feat without spilling a drop then they will always have a strong, cooperative relationship. The vase then becomes a cherished piece in their household and great care is taken to make sure it is never damaged or broken.

The vessel itself is quite beautiful, but its design is an integral part of its meaning. The two spouts represent the couple, one the bride and the other groom. The rounded base and shared reservoir of the vase represents the couple’s now shared lives. The looped handle also represents this unity in a more visual and apparent way, much like a wedding band is a visual reminder of the deeper, spiritual connection that a husband and wife share. The handle creates a circle in the center of the vase that represents the circle of life.
Portions of this article are from Wikipedia

Unique Birdhouses
As the birds are welcomed back to your yard this spring what better greeting than a new bird house. At www.windsong4you.com there is a fabulous selection of bird houses at tremendously discounted prices. You will not be disappointed with the selection or the prices.  We have some great birdhouse selections like our Farmer's Market Birdhouse, Jackpot City Birdhouse, Distressed Victorian Birdhouses and much, much more. Below is a brief history of the creativity of the bird house.

History
American Indians are credited with starting the U.S. birdhouse tradition at an unknown date by using gourds for nest boxes, but in Turkey, birdhouses date to at least the 15th century.  An American ornithologist in the mid-19th century wrote about Choctaw Indians stripping the top branches from a sapling and hanging gourds from the stripped branches. Indians hung dried hard-shell gourds as birdhouses, even setting up poles and crossbars for the gourds, according to ornithologist Edward Forbush in 1929.  When the gourd-hanging started is anyone's guess but presumably after observant Indians learned how to attract the martins, which normally nested in cavities created by other species. 
Since the purple martins consume large numbers of flying insects, the mosquito population could be kept in check. Purple martins' alarm calls would warn of predators.

Eventually many European settlers adopted the birdhouse tradition, often for the same reasons.

After countless bird generations, the martins adapted to the gourds and left cavity-dwelling behind. As many actions have, there were long-term unintended consequences, what is called a behavior tradition shift.

Houses near homes

Eastern purple martins now depend totally on human-provided birdhouses for their survival, preferably within 100 feet of a residence. For some reason, the western martins don't all use birdhouses.

Beginning in the 1970s, efforts were made to build birdhouses, and 10-15 years later, the population stabilized; 35 to 40 nesting pairs were in the Olympia-Shelton area; in 2002, more than 40 pairs were in nest boxes in Everett, Tulalip and Camano Island.  

Eventually birdhouses for many species moved beyond the traditional gourd (except for those who made gourd painting a folk art). Given the artistic license that builders used in the 20th century and into the 21st, it became clear that while birds don't need birdhouses, people do.

Otherwise they wouldn't build birdhouses in the shapes of an acorn, 6-foot-tall mansions, pair of dice, lighthouse, human head, castle, gingerbread cottage, triple-decker pagoda or domed tent.  History provided by Sharon Wootton

 

Fabulous Bird Feeders

These unique feeders will enhance the beauty of your back yard while bringing the pleasant sounds of nature into your life. Bring back nature in all of its colors and sounds. You will want to have more than one bird feeder around your back yard or patio. They also make wonderful gifts for an open house, anniversary, birthday, or just about any time you want to say thank you or congratulations. Please take the time to explore all of the fine intricacies of many of these bird feeders.
There are so many types of decorative bird feeders from the commercial feeder to the homemade feeder.  Some are large feeders sitting on your lawn to small birdfeeders that you hang from a tree branch.  In the summer, many humming birds are attracted to the smaller sugar feeder hanging from a tree branch in a more sheltered area away from cats, dogs, squirrels and larger birds.
Prior to the 1950s, there just weren't many commercially available feeders for any kind of birds. Mitch Erickson of the Perky Pet Company created the first commercially successful hummingbird feeders in 1958. The tube feeders we fill with seed didn't come on the market until 1972.

Types of feeders

Seed Feeders are the most common type. These can vary in design from tubes to hoppers and trays. Sunflower seed or mixed seed are popular for use in these feeders and will attract many songbirds such as cardinals, finches, and chickadees. Black-Oil Sunflower seed is especially popular with bird enthusiasts. The outer shell of Black Oil Sunflower seeds are thin and easy to crack. In addition, the kernel is larger than striped or white sunflower seeds. Most bird structures are designed to dispense sunflower-sized foods, but there are specialty "Finch Feeders" with smaller openings to dispense the tiny Guizotia abyssinica (Niger or nyjer) type of thistle seed, which is a favorite of smaller finches. Goldfinches are especially attracted to nyjer seed.

Hummingbird feeders, rather than dispensing seed, supply liquid nourishment to hummingbirds in the form of a sugar solution. This mixture often is colored red to attract birds. Some Hummingbird feeders have red accents or red glass to help attract hummingbirds. Mold tends to grow in hummingbird feeders, so they must be refreshed frequently and kept very clean to avoid harm to the birds. Ants and other insects are also attracted to hummingbird nectar.  Smearing petroleum jelly on the feeder's hangar will prevent the ants from crawling down to the feeder below.

Oriole birdfeeders, which are traditionally colored orange, also supply such artificial nectar and are designed to serve New World orioles, which have an unusually shaped beak and tongue. These orioles and some other birds also will come to fruit foods, such as grape jelly, or half an orange on a peg.

A suet feeder is typically a metal cage-like construction with a plastic coating that contains a cake or block of suet to feed woodpeckers, flickers, nuthatches, and many other species of insect eaters. Suet logs are also very common. These wooden logs have holes drilled out for suet to be inserted. Suet is high in fat which helps to keep birds warm and nourished during the cold winter.

Providing a varied array of tastes and feeding venues will result in less competition for food and dining spots, just as a well-planned garden will provide many plants that supply different types of seeds and nectar. A very shallow, gradually deepening birdbath that is safe from cats, kept clean, and refreshed frequently with clean water to avoid mosquitoes can attract as many birds as a birdfeeder. Although a clear area around it that is free of hiding locations for cats should be provided, the birdbath should be placed where a frightened bird can fly up easily to an overhanging limb or resting place if disturbed or attacked.

Squirrels may also help themselves to the contents of bird feeders, often not merely feeding, but carrying away the food to their hoard. There are various anti-squirrel devices available to thwart attempts by squirrels to raid bird feeders. Several manufacturers produce feeders with perches that collapse under the weight of anything heavier than a bird, or that use battery power to shock an intruder lightly or spin the perching area to fling it off. Caged feeders are often designed so that squirrels cannot reach the seed inside, but birds can easily fly through the cage's holes. Another way to keeping squirrels from getting into the bird feeder is to add crushed red pepper flakes to the seed; birds lack the receptor to which capsaicin binds, so it does not function as an irritant for birds.

The placement of a bird feeder can also prevent squirrels from accessing the seed. In addition, baffles can be used that prevent squirrels from gaining their footing above feeders. Below feeders, baffles can prevent squirrels from climbing any further.

Sometimes the placement of a separate and isolated squirrel feeder is the best way to keep squirrels away from bird feeders. Squirrel feeders typically offer a whole dried cob of corn, often at the top of a rotating stick to add a bit of amusement to their antics.

Seasonal Use

While bird feeders are thought of by some as winter projects, urban and some suburban areas can benefit from birdfeeders year-round. Winter feeders can be used during severe weather to provide food for birds who are caught in a snowstorm and find natural food with greater difficulty.

Portions of this article are from Wikipedia

Native American Dream Catchers

Most of the dream catchers that we display are from Native American tribes.  We have contacted many distributors to offer you not only uniquely designed dreamcatchers but authentic ones as well.  Many of them are very reasonably priced. They make wonderful heirlooms to decorate your home and pass down through the generations.  Our dream catchers make wonderful gifts for that special someone in your life during a holiday or just as a "thank You" for being a great friend.  They are an outstanding gift for someone who is in the hospital while they are recovering or a dear friend in a convalescent home.  Dreamcatchers are an authentic American Indian tradition, from the Ojibway (Chippewa) tribe. Ojibway people would tie sinew strands in a web around a small round or tear-shaped frame--in a somewhat similar pattern to how they tied webbing for their snowshoes--and hang this "dream-catcher" as a charm to protect sleeping children from nightmares. The legend is that the bad dreams will get caught in the web. Traditionally Native American dreamcatchers are small (only a few inches across) and made of bent wood and sinew string with a feather hanging from the netting, but wrapping the frame in leather is also pretty common, and today you'll often see them made with sturdier string meant to last longer. During the pan-Indian movement in the 60's and 70's, Ojibway dreamcatchers started to get popular in other Native American tribes, even those in disparate places like the Cherokee, Lakota, and Navajo. So dreamcatchers aren't traditional in most Indian cultures, per se, but they're sort of neo-traditional, like fry bread. Today you see them hanging in lots of places other than a child's cradleboard or nursery, like the living room or your rearview mirror. Some Indians think dream-catchers are a sweet and loving little tradition, others consider them a symbol of native unity.
Portions of the history are provided by The native-languages.org.

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